Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Sunday, February 22, 2015

Writing Corner


My current bedside companion

We’re two months into the year, and, excluding NaNoWriMo, I’ve already doubled my word count from 2014. 

Committing to everyday writing is exactly what I needed to get out of my post collegiate writing funk. It’s really hard to do something when you don’t have an outside deadline or overall grade pushing you along. 

Not everything I’ve written has been great in 2015 (nor 2014 for that matter). A lot of it hasn’t. I’m not even close to finishing one story. But they’re words, story starts, and writing through ideas before I get a chance to tell myself no.

There was a lot of that stop and go last year. I wanted the idea and the characters and the story that was going to catapult me to true author status. So, I didn’t take a lot of risks. I wrote things I was comfortable with. Ideas that I’d felt out before. Stayed in the safe zone. 

A small sample of the filled handwritten notebooks taking up space in my office

A lot of those files are boring. They feel old to me, like I was regurgitating a pattern instead of creating anything new. Sure, character names and settings had changed, but if I put the plot points on a map, the trajectories and hit markers would’ve matched. 

You bring a different set of tools to everyday writing. Sometimes the only thing that gets the fingers typing are the crazy, off the wall ideas. I don’t put pressure on the words anymore either. I just appreciate that they’re there on the page. 

It’s also been about getting reacquainted with my old writing self. Sometimes I come to the computer with no ideas, so I pull up the forgotten files, pilfer them for interesting plots, a character I like, anything to spark some kind of creative flow. 


Basically, it’s just nice to have no pressure writing time where my only concern is getting words out and not so much read by others. 

Monday, January 26, 2015

Don't Break the Chain

Can’t say 2015 has been a banner year for blog consistency. Sorry about that! I can say that I’ve found a good way to be consistent in the other areas of my life. 

I’m driven by visual motivation. I like seeing my accomplishments, the ends of the means. I love watching my work move from one side of the race track to the finish line, day after day. In my position now, you can see exactly what you do all day. The amount of calls, chats, and emails you answer are logged and charted so you can sit back and say ‘yeah, I did something today.” Sometimes, all I do is deal with crappy customers, but it’s still something. 

Quantifiable things are my bread and butter, so this year I decided to make my goals more visual. Something I can track in the real world rather than an undocumented bar to keep. Mainly, this revolves around these bits of paper: 

Image belongs to creator Karen Kavett. Get DBC prints here


Don’t Break the Chain isn’t a new concept (one Google search’ll prove that) but it’s new to me. I like deadlines; I only hit the bars I need to keep when I see them. So, I may or may not have 4 of these sheets pasted to my wall. 

Super awesome quality photo, huh? 

And I may or may not have written, read, exercised, and not drank pop daily since I’ve been building my chains.

Maybe I need to print out a blogpost Don’t Break the Chain…


Anybody else have any ‘stick to your goals’ tricks? I’d love to hear them! 

Sunday, September 14, 2014

September Snapshot #2


We cleaned out the storage closet this week, and I found a folder of my old papers. 
These are some of the first stories I ever wrote. 

 

And I also got stared on some NaNoWriMo prep. I'm going through a pretty intense 
plotting session right now. 



Early in the week, we had some pretty bad weather, so we ran out and got some
power outage activities. I haven't colored in so long. 


Star fruit, yum. 


Another winner in the nail polish department. I used this on Wednesday, and 
the only thing chipped today are the very tips. 



My Birchbox arrived. Anybody else get Birchbox? That hair oil spray 
and perfume were my favorite this go. 



The beginnings of my chalkboard wall ... thing. Crafty Sunday.

Tuesday, July 1, 2014

Short Story Love


 
My well loved short story collections. 
In honor of the start of Camp NaNoWrimo and my endeavor to write a short story anthology, I thought I’d point you toward some short stories available online that have left a mark on me as a reader/writer.

As an English graduate, short stories were my bread and butter during my academic days. In some ways, I learned to love short stories more than I do novels. All texts, whether 1,000 words or 100,000 words, require a level of bravery and talent to leave any kind of mark on the world, but I think a short story has a lot of work to do in a very limited space that gives them a certain appeal unobtainable by longer novels.

If a short story can elicit some kind of visceral emotion from me within their short pages, I hold them to a different level than I would a novel that did the same. There is no room for background, slow building, or space to grow a strong bond between reader and text in a short story. It’s all action, and if done right, powerful, lasting action.

—That’s not to say I don’t love full-length novels. I’m a reader of all—

I’ve fallen in love with many short tales, but these are my favorites:

            If you read any on this list, let it be this one. It has Christian undertones, some might say overtones, like most of Tolkien’s work, but it’s also simply a story about people, about appreciating your neighbor and looking at the world through their eyes. It’s also about an artist, a pastor, death, and a leaf.

This one had me in a moral quandary. If you’re a lover of Utopian/Distopian stories, give this short one a read and decide what you would do. It’s about a perfect society, what is responsible for that perfection, and what one would do in the face of that thing which makes it perfect. I’m writing in circles, just give it a read.

            Another moral quandary story. This is about a town that holds a lottery once a year as a ritual to bring prosperity to the town. I won’t tell anymore, but it’s definitely worth a read.

            This is about a sick woman who is locked away in a house in the country at the advise of her husband to help her get better. Strange things happen in her isolation and the ending is just creepy perfection. Read it.

Honorable Mentions:

Thursday, April 17, 2014

Throwback Thursday Writing Edition: A Poetic Pick-Up

Here's a short story I wrote for a poetry class in college. We were tasked to concoct a story where famous poets meet each other, and we had to use some of their poetry in the interaction, whether word for word or paraphrased.

**Any sentence followed by an * means it is either quoted from one of their poems or paraphrased and doesn't belong to me. Following the story is the list of poems I referenced from Dickinson, Frost, and Whitman. Happy Reading/Writing.**

A Poetic Pick-Up
            So, two poets walk into a bar. They don't know each other yet, but they will soon, because they're both looking at the same girl.
            The girl sits quietly at a booth, her mind too distracted by the bees in the flowerpot to notice their sudden attention.
            Both men approach the bar. Step one in picking up women: buy them a drink. Implied step one in picking up women: find out what they like first (but both men had their own ideas about that).
            “One 'Sea Breeze' to the lady in brown,” the first orders. He drums his fingers on the bar top, turning his head to the left as the other poet takes the empty seat. Never good with silence, the first man speaks again, “Ah, women, women are like the sea! Beckoning us to them, so we can take our turn.” He spoke boastfully.
            The other one smirks at the absurdity of such a simile.
            “No, sir, women are the unknown. We dance round in a ring and suppose, but like a secret, she sits in the middle and knows*,” he replies, then raises a finger to the bartender, “a 'Stinger' for that same lady.”
            “I see we have very different opinions ... ”
            “Frost,” he offered.
            “Whitman,” the other returned with a nod, “I guess we shall see who really knows women best by the end of the night, my man!”
            There was a cockiness, an 'I never lose' air, to Whitman's voice that Frost found hard to ignore. So, he agreed with a nod of his own; he knew watching this man's large ego shatter when he left with the girl would add a welcome high point to an otherwise unremarkable day.
            Whitman looked to the lady, deciding that there would never be any more perfection than there was then in that one woman. With the twirl of my tongue*, he thought, I encompass worlds*, just like I will encompass her.
            “I shall go first, my dear Frost! You can take notes if you'd like.” He smiled cheekily and squared his shoulders. Jutting his chin out, he made his approach, 'Sea Breeze' in hand.
            In truth, Whitman was confident. Nothing excited him more than communing with his equals and getting to spread his knowledge to those like Frost who obviously didn't have the experience and wisdom that he had but could if he paid attention. Focusing on the petite, dark haired beauty in front of him, he set the drink in front of her and prepared his first line.
            But she had anticipated this meeting, having over heard the man's loud jovial voice over the jukebox track. As soon as she noticed the nauseating fruity concoction touch her table, she decided to play a game of her own. 
            "I am Nobody! Who are you?*” She spoke first, struggling to hide her smirk.
            Surprised, he faltered, but only slightly, quickly formulating a suitable response.
            "Walt Whitman, an American! One of the roughs! A kosmos!* A-"
            "You are like a frog,” she interjected to make him stop, “singing to your admiring bog*."
            “Yes, I am a frog; I am the earth, the moon, the dirt under your boot soles, and so are you! You and I together are everything!” Whitman continued, undeterred by her negativity, or perhaps not picking up on it at all, only wanting to make her see herself as he did.
            “Hmm,” she smiled slyly. “If you are everything, tell me, if you had to choose, would you rather be a Dog ... or be a Cat?*”
            “I answer that I cannot answer ... you must find out for yourself.”
            “Or instead of a frog, maybe a butterfly? Which one would you rather be?” She countered, eyebrows drawn back expectantly. And just as he took a weary breath to begin, she threw a question at him again, “Come on, now. Tell me why?” She was being childish and she knew it, but sometimes it was the only way to bring such a large being down to size.
            Whitman, confused and feeling an odd and unfamiliar sensation of failure, didn't know how to respond to such childish questions. Which would he be if he had to choose? Well, all of them, of course! And at the same time none of them. He wanted nothing more than to be the dirt under her boot soles so he could be with her always. But being mushy wasn't going to beat Frost, so he went with bravado instead. 
            “Ah, madame, I am around, tenacious, acquisitive, tireless ... and can never be shaken away*. I exist as I am; that is enough*.” His confidence returned by his own pep talk, and he decided to leave, for now, on that high. “If you'll excuse me madam, I must go bathe and admire myself*, as should you, for I will return shortly.” And Whitman took his leave, giving a nod to Frost on his stool, a subtle batter up playing at his lips. Who could resist a man who has everything and is willing to give it so freely?
            The woman, while entertained and slightly off-put by the odd encounter, pushed the pink drink aside and didn't dwell on it long; a small fly buzzing in the corner of her window had caught her attention. She had yet to notice the new man that was now standing directly beside her in her obsession over the small bug.
            “What do you keep looking at that damn thing for,” Frost questioned, poorly hiding his annoyance. In one swift and uninvited movement, he sat the 'Stinger' and himself in her booth.
            “What if a fly’s buzz is the last thing I hear before I die?” She offered without looking away, her thoughts concocting a beautifully haunting scene of this fly in a funeral home.
            “Well it’d be easy with a fly, to bargain for your life ... ” Frost contemplated aloud, “Just tell it you have stopped dying now forever, I think they would believe the lie.”
            She caught the ironic tone in his voice and appreciated it, if not also scoffing at the absurdity of bargaining with a fly. Now a bee, the bringer of spring life, she could see.
            “I am Emily—before you ask—Dickinson,” She gave without question. 
            “Robert Frost, but you probably won't remember tomorrow.”
            “And why do you say that, Mr. Frost?” She was off-put by the insult, but he didn't seem to notice.
            “Because I am pine and you are an apple orchard, and your apple trees will never get across and eat the cones under my pines*,” Frost replied. His tactics were all cynical and fire. Honesty had always served him best. For some reason, his rudeness always intrigued females.
            And Emily enjoyed his analogy; it made her think of trees on a crisp fall morning.
            “But do not the birds love all trees equally?”
            “Maybe, but one would be hard pressed to find the two together,” Frost furthered, doing his best to feign disappointment.
            “Hope is the thing with feathers*, which will gladly fly to every tree,” Emily offered hopeful.
            Frost sensed his victory. Tell a woman you are something they cannot have, and they will want it all the more.
            Bait received.
            Now to go gloat to Whitman who was surreptitiously watching from the bar.
            “Hope won't refill our glasses,” Frost said, while taking the 'Stinger' from her hands and drinking it, “I'll be right back.” He left abruptly.
            “And how was your go, Frost?” Whitman asked as Frost sat at the empty stool next to him, signaling the bartender again. Whitman already had another 'Sea Breeze' waiting.
            “I shall be telling this with a sigh, somewhere ages and ages hence*: two men pursued the same lady in a bar, and I ... I won,” came Frost's cocky reply.
            Whitman's laugh was loud and long. Not to be out done he answered, “Which of the young men does she like the best?* Ah the homeliest of them won't be beautiful to her.*” He winked, trying to soften the lighthearted taunt.
            Both Whitman and Frost knew neither would win this battle from their barstools. They both turned and looked to the booth in tandem. Whitman rose as if it were a race to the small table before noticing the now vacant table.
            Only one man was truly surprised.
            “I and this mystery, here we stand!*” exclaimed Whitman.
            “It is no mystery,” Frost answered with a pat on the back that was just a little too hard to be comforting, “Women, like the sea as you said, break more than just along the shore.”

            © 2014 travelswithpenandpaper.com 
Poems for reference:
Whitman:
Leaves of Grass 1855 edition
Frost:
Mending Wall
The Road Not Taken
The Secret Sits couplet
Dickinson:
I'm Nobody! Who are you?
"Hope" is the thing with feathers
I heard a Fly buzz--when I died
Tell me! 

Wednesday, March 26, 2014

What Are You Reading?

The snow seems happy to be melting.


I’ve been reading a lot lately, chronic reading really. Right now, I have three books half read: my morning book, my night book, and the manuscript I’m editing.

It’s making me miss school, where I first learned the art of narrative juggling. I miss talking about books, analyzing books, living in books. I think I need to join a book club or something.

I haven’t read this much since the summer of 2009 where I annihilated fifty novels in three months. I wrote my first novel after that.

Hopefully, I’m gearing up for another one those writing explosions. I’m apparently in the mass consumption phase of the writing process. Release must be close behind.

Either way, it’s been reminding me about what I like and don’t like about story telling. The way that I’m naturally drawn to character driven works, how I can’t connect to anything if I can’t connect to the people, what a good metaphor looks like, what a bad one looks like, dialogue that works, the irksomeness that is dialogue tags before dialogue, or the way words like “just,” “that,” or “literally” make my skin crawl when they cross that thin line between sparingly and every other sentence.

 I forgot how good reading was for teaching. I want to pursue my master’s in Creative Writing, but I don’t think that’s going to teach me how to write, only how to write better. Books are the best writing teachers, especially when you learn to separate the good ones from the bad ones and take in all their flaws and perfections as ammo for your own.

I haven’t kept up with my review series, yet. I still have a review for “Tilt” coming. Now add “The Archived” and “Eleanor and Park” to that list.

Here’s the part where I come to you for recommendations. I need titles people, books you love. I want to love them, too. Or politely hate them. Any genre really. I haven’t fallen in love with any recent mysteries or suspense books lately, so that could be fun. Let me peak in your awesome bookshelves and pilfer what strikes my fancy.


Seriously, Googling books is a drain on valuable reading time. Just point me in the right direction.  

Friday, March 14, 2014

Writing Woes



Happy Friday!

I’d like to say I had an über productive week full of writing, editing, and general goal fulfillment, but that’d be a lie.

I had an average week full of editing other people’s manuscripts, plotting two of my stories for CampNanoWrimo (fellow Campers, leave a comment; let’s be camp buddies, full of tin can and a string conversations with a side of melodramatic crying over low word counts), and reading.

One of my New Year Resolutions was to read a book a week for 2014. Yeah, I haven’t lived up to that goal. But, I’m not being too hard on myself. I endeavored on American Gods as my week two book, and I couldn’t get into it. So, it sits on my shelf, 120 pages unread …

That’s not to say I haven’t been reading. I’ve been reading a lot, but most are unpublished works I get paid to read and, as they’re unpublished, cannot review yet. But, this past weekend, I finished Tilt by Ellen Hopkins, which is a 602-page book of poems that make up a narrative.

Look for the official review next week.

My writing progress has been slow. I’m in a weird writing point where the ideas are flowing, but the follow through is abysmal. I get half way through, and my interest fizzles out.

I’m not going to say it’s writer’s block, because, well, I don’t really believe in writer’s block.

I believe my own fear of writing suckage is preventing me from committing to a story line I worry is going to fail before it gets on the page.

This is a self-inflicted problem and, luckily, surmountable.

My plan of attack is to leash my inner-editor and critic—better yet, wrap that sucker in chains and throw it off this writing ship—and finish something, anything really, by the end of March.


This plan is two-fold. A) I really do need to get something revisable so I can start shipping my work out to the masses (the last time I was published was in 2011…three years ago…ugh), and B) so I can carry that sense of accomplishment into the CampNano cabins where I will try to get my next gold star for a finished novel.

**Advice about writing hang ups is welcomed**